Showing posts with label commission. Show all posts
Showing posts with label commission. Show all posts

Saturday, January 21, 2012

I Am Watch Television Zombie


This interdisciplinary production explores our addiction to television with a team of 20 actors, musicians, technicians and aerial dancers. With no seating, audience members will wade through a transformed theater space waist-deep in balloons, immersed in thousands of animated TV images projected on four walls.

Actors will interact with audiences as musicians appear and perform seemingly out of nowhere. With a rich mix of aerial dancers, actors, live music and thousands of moving images and balloons, there could be moments of sensory overload, overwhelm and laughter.

The production was conceived and produced by Hunter Ewen, a CU doctoral candidate in music and Nicole Predki of Frequent Flyers (MFA Dance 2009).



Taking place January 26th and 27th 2012, at the ATLAS Black Box Theater in Boulder, CO, I Am Watch Television Zombie is an exploration of the nature of our mutual addiction to the television screen.  With an all volunteer team of over 40 actors, dancers, musicians, technologists, videographers, welders, chefs, computer-programmers, and balloon inflaters, the show will be an unrelenting assault on the eyes, ears, and taste buds of the audience.  Instead of sitting in chairs, the audience will be directed by invisible voices in the concert hall to stand and move throughout the 2,400 sqft performance space. Audience members will wade, waist-deep, in a sea of balloons that fill the entire hall as projections flash all around them and aerial dancers take to the sky on custom-built contraptions above everyone's heads!





Throughout the performance, people will be completely surrounded by moving images projected onto a 360 degree, wrap-around screen.  We will be projecting 58 hours of television (the average amount a person watches in a week) during each performance. Musicians will emerge from nooks and crannies in the space and play along with the BOOMING 13.1 surround-sound system while mingling with the audience.  We even have a mechanically controlled grand-piano ready to do our bidding!  The wails and cries of the actors will be reflected, projected, and transformed by a suite of custom-built computer applications to form the terrifying roar of the zombie apocalypse.
What we have:
This project was the winner of the 2011 ATLAS Arts and Technology Fellowship, and as such, much of the technical support will be provided freely by the ATLAS Center for Arts, Media, and Performance.  This includes use of projectors, computers, audio equipment, lighting design, audio and video recording equipment, as well as an excellent support team to help make sure everything behind-the-scenes runs the way we want.  The black box theaterat The University of Colorado Boulder, is quite possibly the most technologically advanced performance venue of it's size in Colorado, and it is a great honor to be producing the show alongside their team.
We are also blessed with an incredibly passionate and creative group of on and off-stage performers.  The team of aerialists are volunteers from Colorado's pre-eminent aerial dance and theater company, and the musicians and performance artists are all volunteers from the Boulder and Denver areas.  We have the passion, drive, and experience to make this project a great success.  We have all been involved in large-scale performances, and we're raring to go.  And with YOUR help, this project will be bigger, better, badder, and bolder than anything we've done before!
What we need:
Volunteer performers are the backbone of this project, but we're still a long way from financing our endeavor!  We need money for costumes, set design, props, welding of aerial dance equipment, software, and wires and cables to make the fleet of projectors and computers work.  We need wood, canvas, and paint for the scenery.  We need metal to build rigs for the dancers and to build percussion instruments for performers.  We want to build special rigs for the performers to hide in, emerge from, and be flown to the ceiling as they explore every inch of the space, horizontally and vertically.  We need money for exotic and spine-tingling foods to entice the audience.  We need money to buy and fill the entire performance space will balloons (and if we're lucky, we'll set a Guinness Record doing so).  We will need safety equipment for the aerial performers: harnesses, ropes, fabric, and pulleys.  It's a tall order, but a little bit of money goes along way (especially since we're all volunteering our time)!
We also need people who can become involved creatively in the project!  Our reward system is setup such that everyone who donates becomes involved in the show.  Not only will you get some epic loot (not available to the public), but we want images and videos FROM YOU - things you think would be appropriate for our show.  So we're asking everyone who donates to send us names, pictures, and/or videos.  It could be you and your friends posing like zombies - it could be you making a crazy face, or dressed up as your favorite TV/movie/internet character - it could be a great drawing you make or even something completely unrelated!  We want everyone to feel like they have astake in the project, so the wackier, crazier, and more unusual your pictures / videos, the better!  We're looking forward to seeing what awesome stuff everyone comes up with!

Tuesday, February 15, 2011

The Monsters Live

Hello all.  A new video of last week's Monster Party surfaced, with super awesome close-ups of the Monsters in action.  Enjoy!


Tuesday, January 25, 2011

Premiere Tomorrow

For those in the Boulder/Denver area tomorrow (1/26), please visit the CU Boulder campus for the premiere of my new piece Monster Party, for 24 monsters who play violin. The work was written for Lina Bahn and the CU violin studio, and it is based on the art of Stefan Bucher (here).

Thursday, April 08, 2010

Ohia and Lehua

For those of you in the Boulder area, I am premiering my newest composition Wednesday 4/14 at 7:30pm in Grusin Hall at CU Boulder. This piece was commissioned as part of the Edward Levy prize, which I won in 2009 for Ultradian Bipolar Disorder. If you're not in town, I'll upload a video of the performance soon.

Thursday, November 06, 2008

New Harry Potter Video

Before you ask, yes it is a $5 harry potter wand duct-taped to the end of a nintendo wii-mote.  This piece is a great example of why youtube is terrible.  As hard as Case Western tried, and as good a job that they did recording and mastering this - Harry Potter Returns to Hogwarts is a piece that absolutely relies on surround sound.  There are things constantly being thrown around, spinning and moving - and almost all of that is lost on youtube.  Case Western did a great job of presenting the piece in full surround sound (and Amasa Stone Chapel is a perfect venue for a Harry Potter piece), but youtube just can't hack it :)

Putting that issue aside, the video turned out to be pretty cool!  Check it out below.


Update:  I think it's worth mentioning a specific element of this piece I really liked.  As my much tech class can attest, I am constantly complaining about two things: uninformative titles of pieces and using tech for the sake of tech.

I won't attest to the quality (or lack thereof) of my title, but I can say that what I like most about this piece is that there is no visible computer (or other tech).  From the perspective of the audience, there is no intermediary - no system of translation between my intent and their perceived meaning.  Modern wireless protocols allow us to break down that computerized barrier that separates (often times physically) performers from audience.  You are not staring blindly at a set of speakers.  You are also not starring at a person who is staring at (or at least focused on) a computer or other automated system.  Everything becomes organic.  It's personal.

This is a piece without score, largely improvisatory - which requires the tech I used (and nothing more).  It is also a presentation that draws the audience and performer together.  This is the future of electronic (electro-acoustic) music, or at least this is what I hope it will be.  I don't want people to have to draw meaning and musical sentiment from inanimate objects; I want to establish a connection (a mechanism of trust) between performer and audience.

These thoughts are rough hewn and extemporaneous; I may post a longer, more thought out version on the Cu-Pendulum blog.

Saturday, September 20, 2008

Cleveland Concert

If you're in cleveland Wednesday, drop by Amasa Stone at 12:30 for the premiere of my new piece "Harry Potter Returns to Hogwarts".  If you're not around, I'll post a youtube as soon as it's available.  I am also waiting on the youtube from last week's premiere "Novus Ordo Seclorum".

Monday, September 15, 2008

Premiere

My newest premiere is in Boulder, at CU, in Grusin hall.  It's called Novus Ordo Seclorum, and was commissioned for Constitution Day by the University of Colorado.  It uses a projected score, a series of dramatic readings, and I sing at the end (processed audio of course).  There also may or may not be fireworks.  If you can't attend, I'll post a youtube when it's up.

Friday, September 12, 2008

Radio Interview and Other Press

Check out the radio interview I'm doing for Boulder 1190.  It's on Sunday at 7:30pm.  Also, there's a really nifty press release circulating about the premiere.  I've included it below:

CONSTITUTION DAY CONCERT CELEBRATION FEATURES COMPOSITION PRIZE WINNER

A prize-winning composition by a CU-Boulder student that seeks to reflect in music what our founding fathers were feeling when they gathered to write the Constitution will be performed in a concert in celebration of Constitution Day, Sept. 17.

“Novus Ordo Seclorum” (New Order for the Ages), by Hunter Ewen, a master’s student in composition, will be featured in the Pendulum New Music Concert Series on Wednesday, Sept. 17 at 7:30 p.m. The concert, which opens with “Fanfare” by Daniel Kellogg, commissioned and performed by the CU Horn Choir, will be held in Grusin Music Hall. It will be free and open to the public, with a reception following.

Ewen’s piece won the Constitution Day composition competition cosponsored by CU-Boulder’s College of Music and the Institute for Ethical and Civic Engagement.
When composing the piece, Ewen set out to capture the ethos of the political culture at the time of the Philadelphia convention. On Sept. 17, 1787, 55 delegates to the Constitutional Convention adopted the Constitution of the United States of America. The Constitution officially took effect on March 4, 1789.

“There are several unusual elements in this composition, all of which reinforce the sense of community, as well as the idea of stepping off a ledge and diving headfirst into the unknown,” said Ewen, who composed the piece to include a set of live performers underscoring a series of dramatic readings, where music is generated and notated by a computer.


“Their uncertainties about the future of the country translate into our uncertainties about what’s going to happen next, musically,” said Ewen. “Their sense of community becomes are sense of community, their fearlessness becomes our fearlessness.”



Each year the Institute for Ethical and Civic Engagement undertakes a project to commemorate the constitution. Activities from past years include an art competition, debates, and online quizzes.


“We try to keep it lively and sponsor an activity that will capture people’s imaginations,” said Peter Simons, director of the Institute for Ethical and Civic Engagement.

Call the College of Music Concerts Box Office at 303-492-8008 for
information about this performance. For more information about the College of Music visit http://www.colorado.edu/music. Information on the Institute for Ethical and Civic Engagement is available at http://www.colorado.edu/iece.

Thursday, August 28, 2008

Bumping "Open Me" Back

Because of this Constitution day commission, I am bumping the premiere of Open Me from that concert. The new concert time is TBD, but I will post when I have more details.

Wednesday, August 20, 2008

Harry Potter

If you are in Cleveland, I have a new piece I'm premiering on October 3rd, at Amassa Stone Chapel. The title is "Harry Potter Returns to Hogwarts". It is a solo electronic piece, controlled by bluetooth buttons+accelerometer (magic wand). The piece will be very theatrical and very interesting - I will post a video or two when it is done. If you're in Colorado, it is being played on October 31st, date and time tbd.

Monday, August 18, 2008

Novus Ordo Seclorum

I was recently awarded a large award and commission for my proposal for a premiere celebrating "Constitution day".  I will post a video of the premiere, date TBD.  A summary of my proposal is listed below:

Name: Novus Ordo Seclorum
Instrumentation: 8 Instrumental Musicians, 20-30 Vocalists, Orator, Conductor, Projection
Time: Approx 6-8. minutes
Tech Requirements: Computer, Wireless Controller, Projector

The United States Constitution is often considered the single greatest force in sculpting the landscape of 20th and 21st century politics, locally and internationally. Without blueprint, or precedent, our founding fathers drafted the most significant document of young America, hewn from the hopes and dreams of a nation that craved equality, authority, and liberty. They created. They eschewed tradition. They functioned in wild bursts of imagination and horror. They were artists.

Novus Ordo Seclorum, from the Great Seal of the United States, translates to "new order for the ages". The proposed composition is an attempt to capture the ethos of the political culture at the time of the Philadelphia convention.  The thrill of uncertainty and the joy of human collaboration are embodied in a unique vision, developed by me.  Novus Ordo Seclorum features a set of live performers, underscoring a series of dramatic readings, where the music is generated, and notated, by a computer.

The notated music is a tribute to the beautiful new graphical interface of MAX 5.  The score is best described as "Riley's in C, but moving".  Repeated harmonic and melodic patterns writhe and undulate under a series of dramatic readings that transport the listener on a journey through the rich history of the American Constitution.  The procedural modulations are audibly, and visibly, apparent, as the generated music and text will be projected for the musicians as well as the audience to enjoy.  The projection is aesthetic and functional; there are no other scores available. All eyes are on the same target. Everyone looks together.

A conductor will be necessary, but (s)he is employed in a unique and unusual way.  (S)he will not control tempo - but will instead control dynamics, instrumentation, modulation, and the overall flow of the music.  This will be accomplished with the help of a wireless protocol, developed by Ewen, that allows communication between computer and a Nintendo "wii-mote" controller in the conductors hand.  Improvisatory changes are relayed to a computer which will be immediately displayed on the projection.  The remote allows for 11 unique buttons, as well as tracking pitch and roll data (the conductor will be able to make realistic hand gestures on stage).  There is also a force feedback system of vibration and 4 LED's that will allow the computer to relay subtle information to the conductor. The computer will choose from a bank of rhythms, pitches, and quotations and present them to the orchestra to play.

Please find enclosed copies of the necessary drivers and handlers for the wireless system.  The entire rig (drivers, handlers, UI, wireless interface, projection) has been successfully tested for 9 hours, at a distance of 45 feet, without failure.  The technical requirements of this performance are: a computer with bluetooth, wii-mote, and projector.

This project begs involvement. From collaborating musicians, to the wireless conductor, to the audience - everyone who experiences this music will feel exhilaration through uncertainty, civic pride through subject matter, and unity through collaboration.  Thank you for considering my proposal.  I hope you find it worthy of performance.

Thursday, April 26, 2007

End of Semester Update


As graduation draws near, there are fewer and fewer opportunities to hear something of mine on (or near) the Case campus. Here are a few upcoming local concerts to note:

Marc Plotkin Recital - 4/27 - 8:00 - Harkness Chapel
Premiere of my special christmas arrangement.

Case Concert Celebration - 4/29 - 4:00 - Severance Hall
I added two chords somewhere in the concert. See if you can figure out which ones.

Rachel Azrak Recital - 5/19 - 7:30 - Harkness Chapel
Premiere of my new duet for flute and offstage flute, Maroon and Embrace.

Stressed Out Over Finals - Nord Hall
Educational Services for Students is still offering free copies of my relaxation CD, Centered in the Circle, to any Case student. You can pick them up from the ESS office in Nord Hall. Good luck on finals!

Update: after posting a CD cover last week, I thought it would be appropriate to post my older cover from Centered in the Circle.

Monday, March 12, 2007

Commission and Video



Here are two small pieces of news that I'm going to lump together.

1) I just accepted a new commission from flautist Rachel Azrak for a solo flute piece. She has promised to give me a recording from her recital (May 19th) here on campus.

2) Many of the conductors / contest panelists I have approached regarding 01001101 have expressed curiosity about the "interactive video" element to the piece. To that end, I have uploaded the video of the first movement along with the part that the performer is expected to play. Using both of these, one can duplicate (and experiment with) the projected video that is to be used in the performance. This should yield a better understanding of what I did and why I did it. Enjoy.

Saturday, September 02, 2006

Relaxation CD



Well, it's finally out. As part of orientation, new students were given a coupon to come pick up my relaxation CD "Centered in the Circle" from ESS. I've already seen several people who have them, which is pretty cool! The bad news is that it's not available online yet, but hopefully it will be soon.

Friday, September 01, 2006

Bozza Aria on a Plane



I just heard the unedited, unmastered recording of Greg Banaszak playing my Bozza Aria arrangement with the Beethoven Academy Orchestra in Krakow, Poland. It sounds fantastic! I can't wait to get a copy of the CD when it comes out. I also heard that Banaszak and Centaur records signed a deal with LOT Polish Airlines to use the Aria as part of their in-flight music presentation. I suppose stranger things have happened, but this is certainly up there.

Thursday, April 27, 2006

Hamelin Poster Competition



With special thanks to Dr. Gary Ciepluch, my faculty sponsor for the Intersections SOURCE Poster Symposium, we would like to announce that the "Hamelin, After the Rats" poster won 1st place in the "Arts" category of the competition.

Thursday, April 20, 2006

Hamelin Poster



Look for me at the "Intersections SOURCE Poster Symposium". I will have a booth with a poster for the Hamelin piece. The Alizarin video game is also being presented there, so look out for that too!

Sunday, March 05, 2006

Hamelin, After The Rats: World Premiere



On Sunday, March 5th, the Case Western Reserve University Symphonic Winds (under the direction of Gary Ciepluch) will be premiering my "Hamelin, After the Rats". The concert is at 6:00, in Kulas hall at the Cleveland Institute of Music.

Friday, January 13, 2006

Alizarin's World by Numbers



The video game project is completed and the final product is online ready to be downloaded. The game is called "Alizarin's World by Numbers". The guest panel from Electronic Arts had this to say:
"The best submission of the night. A solid idea that shares a lot with Kirby's Canvas Curse in terms of movement and Black & White in terms of a gesture system. The really strong part, however, was the brilliant art and music. More of an experiential game than a traditional puzzler, this was a fantastic effort ... [T]he Alizarin team should go to GDC this year and get their game in front of Nintendo. It's that good."

Download the game Here
Visit the Official "Alizarin's World by Numbers" Homepage Here
Read the Case Western Reserve University P.R. Article about Alizarin Here

Wednesday, October 12, 2005

Publication

Alphonse LeDuc publishing has agreed to publish my arrangement of the Bozza Aria (for alto sax and strings), and distribute it through Europe and Asia. The American distribution will be handled by Theodore Presser publications. This makes me the youngest person to be published by LeDuc (and as I understand, it's one of the largest publishing houses in Europe).